An old woman dressed in her nightcap and gown, her one breast hanging exposed from her gown, climbs into bed in which her husband already lies. She expels gas from her bottom in the direction of the candle on the ground in front of the fireplace with such force that it lifts the cat off the ground and bends the candle. Above the fireplace is a broadside entitled: The storm by Mr. Dodd, cease rude boreas balstering railes … On the table below the window (left) is a bowl labeled “Pease porridge” and a wig on a stand. On the ground at her feet lies a corset, shoes and other garments. Above the bed are boxed and breeches; a man’s coat is hung on the back of the chair to the right of the hearth.
Creator: Nixon, John, -1818, artist.
Title:A patentextinguisher, being a safe & easy mode of putting out a candle.
“John Bull, a fat “cit”, is beset by descending water covered with the word ‘Tax’, many times repeated, in which dogs, cats, and pitchforks fall with violence. His eyes and spectacles are transfixed by a pitchfork inscribed ‘Window Tax’; the shaft of another inscribed ‘Malt & Hops Tax’ sticks in his bleeding mouth, dislodging teeth. His paunch is pierced with a third fork; the handle, inscribed ‘Tax …’ [&c. &c], supports an angry cat, spitting ‘Tax …’ Another falling cat knocks off his wig, which emits a cloud of powder inscribed ‘Powder Tax’. His gouty feet, in slashed shoes, are stabbed by three pitchforks: ‘Corn Laws’ [the biggest, cf. British Museum Satires No. 15510]; ‘Leather Tax’; ‘Land Tax’. A ‘Dog Tax’ strikes down J. B.’s dog, its collar inscribed ‘Poor Tray’. Another dog worries a cat (left). J. B. holds up a derelict umbrella, inscribed ‘Trade’, pierced by many prongs and useless.”–British Museum online catalogue.
Two rows of women quarter-length and in profile, some cradling cats in their arms, with captions inscribed in ink near each figure: This is my Queensbury the finest Tom Cat in England; I’m going to see Arabella’s catery she had two charming sitters yesterday morning; God bless me these Irish captains are terrible men; Eighteen delightful little creatures I’m told what a sweet …
Creator: Woodward, G. M. (George Moutard), approximately 1760-1809, artist.
Title: [Six old women discussing their cats] [drawing].
A view of the interior of a cottage with an old woman asleep in a chair, her feet resting on a low footstool in front of open door (left); in her lap she holds an open book and a pair of spectacles. On the right, a boy in a smock stands on a stool in front of an open cupboard eating from a full bowl. Along the back wall is a pair of casement windows with a drop leaf table below and pictures on the wall to the left. A cat walks across the center of the scene looking up at the boy.
Creator: Grant, C. J. (Charles Jameson), active 1830-1852, artist.
Six members of the society sit in a row, each singing a different song. All are ugly and elderly except one lady who turns to her neighbour singing, “In sweetest harmony we live.” The latter, almost bald, sits on the extreme left, singing, “Time has not thinn’d my flowing hair.” A fat, ugly lady bawls towards her left hand neighbour: “Encompass’d in [an] angels frame.” He sings to her: “Together let us ran[ge] the fields.” A man with closed eyes from which tears fall, sings: “Said a smile to a tear what cause have you hear.” A gouty, old naval officer on the extreme right sings: “Oh exquisite harmony!! Music has charms to soften rocks and bend the knotted oak.” A dishevelled footman with a bottle in his coat-pocket walks from the right, tilting his salver of glasses so that they fall on a squalling cat. He sings tipsily: “From night till morn I take my glass I hopes to forget my Chloe!!” A dog on the left howls.
A view of the interior of a busy English barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby (left); beside her, one soldier brushes his britches while another adjusts his helmet.
Companion print: French barracks
Artist: Rowlandson, Thomas, 1756-1827
Title: English barracks [graphic] / drawn & etch’d by T. Rowlandson ; aquatinta by T. Malton.
Published: [London] : Pub. Aug. 12, 1791, by S.W. Fores, N. 3 Piccadilly, [12 August 1791]
A view of the interior of a busy French barracks shows a more domestic than military atmosphere although weapons and other gear adorn the walls and lay scattered on the floor. The scene includes a woman nursing a baby, children playing, woman doing washing.