Print with twelve panels relating to the affair of Mary Toft, “the rabbit breeder”: from top left, she is held aloft by two men and a Harlequin or Merry Andrew, she has a rabbit in either hand; she pursues a rabbit while working in a field; she dreams of being impregnated by rabbit, Cupid is shown on a cloud beside her bed holding a rabbit in either hand; she is seated in a chair attended by two women while the two men and Harlequin discuss the monstrous birth; Harlequin demonstrates that he can express milk from her breast; Harlequin feels “the rabbets leapin in her belly” while two men look on; she sits on the edge of a bed and Harlequin kneels to seize a rabbit that emerges from her skirts while a doctor raises his hands in surprise, wishing to anatomize the animal; Harlequin stands behind a table holding a balance in which he weighs dung removed from the rabbit explaining to two men that this will allow him to judge whether the animal had “breath’d in air”; doctors and midwives discuss the phenomenon around a table and Harlequin enters claiming that the birth must be “praeternatural”; a crowd of gentlemen are welcomed to the bagnio in Leicester Square where Toft is housed; two men spy from the door to Toft’s room as another hands her a dead rabbit; Toft, weeping, is led away to Bridewell by two constables while Harlequin “sits upon Repenting stool, Cursing his fate in being made a Fool. See British Museum online catalogue.
Title: The doctors in labour, or, A new whim wham from Guildford [graphic] : being a representation of [the] frauds by which [the] Godliman woman, carried on her pretended rabbit breeding; also of [the] simplicity of our doctors, by which they assisted to carry on that imposture discover’d their own skill, & contributed to [the] Mirth, of His Majesties liege subjects.
Published: [London?] : [publisher not identified], 
“A decrepit old man stands at the door of a house of ill fame at the corner of Portland Street; Mrs Burke is on the door-plate. One hand is on the knocker; he turns to scowl at a woman (right) who holds out a bunch of water-cress from a large shallow basket slung from the hip. A child clings to her shoulders; a little girl (left) with a small basket also offers him a bunch. Two young courtesans lean from a first-floor window. In the background (right), behind a spiked gate, are trees and a large house (or houses).”–British Museum online catalogue.
Printmaker: Merke, Henri, printmaker.
Title: Water cresses, come buy my water cresses [graphic] / Rowlandson delin. ; Merke sculp.
Publication: London : Pub. Mar. 1, 1799, at R. Ackermann’s, 101 Strand, [1 March 1799]