“Companion plate to British Museum Satires no. 13988. Seated on a sofa, the Queen, wearing a large feathered hat, receives the news of the dropping of the Bill; beside her is a paper: ‘Bill of Pains Thrown out’. Alderman Wood, in a furred gown more elegant than civic, capers before her, holding up his arms, snapping his fingers, and grinning with delight. The Queen looks up at him, with a gesture of surprised satisfaction; she is caricatured, but better characterized than in other prints, resembling the description given by Creevey of her appearance at the trial on 17 Aug. She sits facing a long scroll on which names of places presenting Addresses are inscribed (see British Museum Satires no. 13934, &c.): ‘London’ (in large letters), ‘Westminster’, ‘So[uthwark]’. On the wall behind her is a (flattering) bust portrait of Bergami, wearing his decorations (see British Museum Satires no. 13810). In the doorway (left) are the leading members of a body of proletarian addressers; the foremost, with the curved shin-bones known as ‘cheesecutters’ which resulted from rickets, holds a paper: ‘Address to the Queen’; they are received by a thin, sour-looking lady, evidently Lady Anne Hamilton. They have two banners: ‘Queer Fellows’ and ‘St Gi[les]’, but among them is the profile of Hobhouse, the radical M.P. for Westminster. Over the wide doorway is a picture or relief of two little puppets on a string: the King and Queen performing antics while the string is pulled by a fiddler and another man, watched by two bystanders. The room (in Brandenburgh House) is ornately furnished; a heavy curtain is draped round a pillar.”–British Museum online catalogue.

• Printmaker: Lane, Theodore, 1800-1828, printmaker.
  
• Title: Moments of pleasure [graphic].
  
• Publication: [London] : Pubd. by G. Humphrey, 27 St. James’s St., 1820 [ca. November]

Catalog Record 

820.11.00.02

Acquired March 2017