“Introduction: Objects of Devotion.” With Stephen Perkinson. In Reassessing Alabaster Sculpture in Medieval England. Ed. Jessica Brantley, Stephen Perkinson, and Elizabeth Teviotdale. Pp. 8-12. Studies in Iconography: Themes and Variations. Kalamazoo, MI: Medieval Institute Publications, 2020.
“Looking at the Word: Text and Image in Alabaster.” Reassessing Alabaster Sculpture in Medieval England. Ed. and intro. Jessica Brantley, Stephen Perkinson, and Elizabeth Teviotdale. Pp. 57-72. Studies in Iconography: Themes and Variations. Kalamazoo, MI: Medieval Institute Publications, 2020.
“The Provocations of Orthodoxy: Lydgate and Late-Medieval Books of Hours in Literary Culture.” In The Provocative Fifteenth Century: A Special Issue of Exemplaria. Ed. Andrea Denny-Brown 30.1 (2018): 2-19.
“Forms of the Hours in Late Medieval England.” In The Medieval Literary: Beyond Form. Ed. Catherine Sanok and Robert Meyer-Lee. Pp. 61-83. Cambridge: Boydell and Brewer, 2018.
“The Franklin’s Tale and the Sister Arts.” Chaucer: Visual Approaches, a special issue of Chaucer Review. Ed. Susanna Fein and David Raybin. Pp. 139-53. University Park, Pennsylvania, 2016.
“Language-Mixing in English Books of Hours.” Multilingual Networks in Medieval Britain (The Harlaxton Symposium, 2013). Ed. Mary Carruthers. Pp. 102-14. Donington, Lincolnshire: Shaun Tyas and Paul Watkins, 2015.
“In Things: The Rebus in Pre-Modern Devotion.” The Journal of Medieval and Early Modern Studies 45.2 (2015): 287-322.
“Medieval Remediations.” Comparative Textual Media. Ed. N. Katherine Hayles and Jessica Pressman. Pp. 201-20. Minneapolis: University of Minnesota Press, 2013.
“Middle English Drama Beyond the Cycle Plays.” Literature Compass 10.4 (2013): 331-42. doi: 10.1111/lic3.12056.
“Reading the Forms of Sir Thopas.” In “Medieval English Manuscripts: Form, Aesthetics, and the Literary Text,” ed. Alexandra Gillespie and Arthur Bahr, a special issue of Chaucer Review 47.4 (2013): 416-38.
“Material Culture.” In A Handbook of Middle English Studies, ed. Marion Turner. Pp. 187-205. Wiley-Blackwell Critical Theory Handbooks. Chichester: Wiley-Blackwell, 2013.
“Forms of Reading in the Book of Brome.” In Form and Reform: Reading Across the Fifteenth Century, ed. Kathleen Tonry and Shannon Gayk. Pp. 19-39. Columbus, OH: Ohio State University Press, 2011.
“The Pre-History of the Book.” PMLA 124.2 (2009): 1-15.
“Venus and Christ in Chaucer’s Complaint of Mars: The Fairfax 16 Frontispiece.” Studies in the Age of Chaucer 30 (2008): 171-204.
“The Pilgrim in the Cell: Carthusian Readers and Deguileville.” In Studies in Carthusian Monasticism in the Late Middle Ages. Ed. Julian Luxford. Pp. 269-98. Medieval Church Studies 14. Turnhout: Brepols, 2008.
“Vision, Image, Text.” In 21st Century Approaches to Literature: Middle English. Ed. Paul Strohm. Pp. 315-34. Oxford: Oxford University Press, 2007.
“Mankind in a Year without Kings.” With Thomas Fulton. Journal of Medieval and Early Modern Studies 36.2 (2006): 319-52.
“The Visual Environment of Carthusian Texts: Decoration and Illustration in the Foyle Manuscript.” In The Text in the Community: Essays on Medieval Works, Manuscripts, and Readers. Ed. Jill Mann and Maura Nolan. Pp. 173-216. South Bend, IN: Notre Dame University Press, 2006.
“Images of the Vernacular in the Taymouth Hours.” English Manuscript Studies 10 (2001): 92-125.
“The Iconography of the Utrecht Psalter and the Old English Descent into Hell.” Anglo-Saxon England 28 (1999): 43-63. [Winner, Van Courtlandt Elliott Prize]