All are welcome to attend a special BSAW workshop and discussion with Kevin Beasley. The workshop will be held on Friday, October 5, from 10-12, in 106 Stoeckel Hall. As usual, breakfast and coffee will be available. See you there!
BSAW is back!
Following on the events of last year, we are planning another year of meetings, workshops, and public events with some of the great luminaries of black sound studies in the arts and the humanities. Visit our calendar for dates and times of upcoming meetings and events.
We encourage you to reach out to your colleagues and graduate student cohorts and spread the word to anyone that might be interested in joining the second year of BSAW. Everyone is welcome to attend the inaugural meeting on Thursday, September 13th, 5 – 6:30 PM, 106 Stoeckel Hall. As is the our tradition, we’ll have plenty of food and drink.
Inaugural Meeting: BSAW Year 2
Thursday, September 13th, 5 – 6:30 PM, 106 Stoeckel
Join us on Friday, April 13, in Sterling Memorial Library from 10 AM until 12 PM for a special end-of-year event. We are taking over the hallway between the Gilmore Music Library and the Center for Teaching and Learning for an exhibition of black sound archives, both real and virtual.
On one side of the hall, the Black Sound and the Archive Working Group will be presenting an exhibition of web-based “sound archives,” curated by our year-long participants. Students will present a series of short talks about their archives and visitors will have the opportunity to visit the online exhibition. On the other side of the hall, the Gilmore Music Library’s exhibition Black Sound and the Archive will be opening. The exhibit will feature archival objects from the Gilmore’s collection that explore some of the working group’s central themes. The description is included below:
The Black Sound and the Archive Working Group at Yale University is a two-year initiative (supported by Yale’s 320 York Humanities Grant) that focuses on the history and significance of African-American sonic practices in tandem with critical examination of the nature of archives. The group seeks to augment the very notion of what constitutes a black sound archive. Beyond historical sound recordings as such, African-American sonic practices are also embedded in a rich yet often opaque archive of extraordinary and everyday objects, photographs, narratives, performances, and repertoires. The group is led by Professors Daphne Brooks (African American Studies, American Studies, Theater Studies, Women’s, Gender, and Sexuality Studies) and Brian Kane (Music), and includes faculty, graduate students, and undergrads from Yale and beyond. It produces a variety of events, including workshops, performances, and this exhibit at the Gilmore Music Library, also entitled Black Sound and the Archive. The exhibit features an array of rare and unusual items from the library’s collections, such as an arrangement written by Mary Lou Williams, a document in Duke Ellington’s hand, and several surprising objects (ranging from a walking stick to pajamas) that belonged to J. Rosamond Johnson, the composer of “Lift Every Voice and Sing.”
Special thanks to the staff of the Gilmore Music Library and the Center for Teaching and Learning for their cooperation and support.
Jason Moran is one of the most celebrated and influential musicians of his generation. He has produced ten albums and six film soundtracks, including scores for Ava DuVernay’s Selma and 13th, as well as Ta-Nehisi Coates’s Between the World and Me: A Theatrical Performance which had its world premiere at the Apollo Theatre this month. Mr. Moran’s recent releases include The Armory Concert (2016), Thanksgiving at the Vanguard (2017), BANGS (2017), and MASS (Howl,; eon) under his own label Yes Records. In 2010 Mr. Moran was awarded a MacArthur “Genius” Fellowship. He currently serves as the Artistic Director for Jazz at The Kennedy Center.
Join us for two exciting Black Sound & the Archive events with PROFESSOR ALEXANDRA T. VAZQUEZ (NYU).
THURSDAY, February 8, 2018, 5 PM
WLH 309 | 100 Wall St
“Adapted City: Miami from the Spoils”
Abstract: Cities are vibrant archives of the sounds that move towards them and depart from them. Listen with Vazquez to the ways that musicians make songs to make home in Miami, Havana, and elsewhere.
FRIDAY, February 9, 2018
106 STOECKEL HALL | 469 COLLEGE ST
“Archival Transit Delays”
Abstract: Listeners and researchers of Latin music must first confront, and then make something of the disorder of its records. This workshop will work with the gaps and errors in everyday archives, taking them as exciting opportunities for listening and criticism.
As preparation for this workshop, we ask all participants to please read some excerpts from Prof. Vazquez’s book, Listening in Detail.
Excerpts from Listening in Detail
Alexandra T. Vazquez is Associate Professor of Performance Studies at New York University. She is the author of Listening in Detail: Performances of Cuban Music (Duke UP), winner of the American Studies Association’s 2013 Lora Romero First Book Prize. She is currently working on a new project entitled Florida Water.
Presented with support from the 320 York Humanities Programming Endowment and the Yale Center for the Study of Race, Indigeneity, and Transnational Migration (RITM).
The first meeting of the Spring semester will be held on Friday, January 26, from 10 AM -12 noon in our usual location (106 Stoeckel). Our goal for this meeting is to further discuss your ideas for the end-of-semester exhibition and to check in on your progress. If you haven’t already done so, please do some thinking and research into your potential “sound archives” before the meeting. We will also be discussing upcoming events for the semester and ways that we can prepare for them.
The final meeting of the semester will be held on Friday, December 8, from 10 AM -12 noon in our usual location (106 Stoeckel). Please bring your questions, thoughts, and comments on anything and everything we’ve done, read, seen, heard, and discussed this semester. This is a meeting for all of us to talk about the ongoing and future direction of the working group, and generate ideas for next semester’s exhibition. We are looking forward to a lively discussion and will see you there!
Our next BSAW event will be focused around the work of Brent Hayes Edwards, who will be giving this year’s James Weldon Johnson lecture and holding a special workshop with our working group. Over the course of an illustrious career, Prof. Edwards has made significant contributions to the study of African-American and African diasporic literature, Francophone literature, 20th-century poetry, translation studies, black radical historiography, archive theory, and black music. The publication of his new book, Epistrophies: Jazz and the Literary Imagination (Harvard University Press, 2017), which was a decade in the making, promises to be a major event in the ongoing development of new jazz studies.
The James Weldon Johnson Memorial Lecture, entitled “Black Radicalism and the Archive,” will be held at Beinecke Library on Thursday, November 30, 2017 4:00 PM – 5:00 PM.
Our workshop with Prof. Hayes will be held the following morning, Friday December 1, from 10 AM – 12 noon in 106 Stoeckel Hall. As usual, we will have coffee and breakfast included.
To prepare for our workshop, please read Introduction and Chapters 1 and 3 from Epistrophies:
Grammy award winning vocalist, Cécile McLorin Salvant, will be performing at Yale on December 1st, as part of the Ellington Jazz Series. (See this link for ticket information.)
Ms. Salvant will be leading a workshop and conversation with Black Sound and the Archive on February 21st, 2018. Stay tuned for details!
The Ellington Jazz Series is sponsored by the Yale School of Music. We’d like to thank the Tom Duffy, the artistic director, for his collaboration with our working group.
Friday, October 20, 10 AM – 12 PM in 107 Stoeckel Hall
For the fourth session of Black Sound and the Archive we will be joined by the pianist and scholar John Davis. John’s work on African American musicians and composers, especially his work on Blind Tom, have opened up new archives for scholarly study and historically informed performance.
To prepare for his visit, here is a pdf of “Bamboula! Black Music Before the Blues,” a catalog from an exhibition conceive by Davis at Brown University. You should also visit his website and listen to recordings there and on spotify.
The third session of Black Sound and the Archive will meet on Friday, October 13th, 10 AM – NOON, in Beinecke Room 38-89. We will be meeting with four archivists from various collections at Yale to discuss issues pertaining to archival work on black sonic practices. The archivists are: Mark Bailey (Historical Sound Recordings), Melissa Barton (Beinecke), Emily DeLio (Gilmore Music Library), Libby Van Cleeve (Oral History of American Music). We are delighted to have them with us and look forward to a great discussion.
NOTE: Because we will be meeting in the Beinecke, all visitors must leave their bags and coats in the lockers provided on the main floor of the library. No food or drink will be allowed.
The second session of Black Sound and the Archive will meet on Friday, Sept. 22nd, from 10 AM – 12 PM in 106 Stoeckel. The meeting will be focused on theory and methods of working with the black sound archive. Daphne Brooks and Brian Kane will discuss their own work as case studies.
Readings for the session are linked below: