The Honble. Colonel Townshend

description below

“Portrait of George Townshend standing three-quarter length slightly to left and leaning his right elbow on pedestal beside curtain, eyes to front, wearing uniform, his own hair curled, holding paper in his right hand labelled ‘A Bill Intituled, An Act for the Better Order of the Militia Forces.”–British Museum online catalogue, description of an earlier state.

  • Printmaker: McArdell, James, approximately 1729-1765, printmaker.
  • Title: The Honble. Colonel Townshend [graphic].
  • Publication: [London] : [publisher not identified], [not before 1764]

Catalog Record

Portraits T753G no.2

Acquired June 2021

Taking a fly

description below

A scene beside a river: In the foreground two men who had been fishing have been pulled into the river by the rope attached to a ferry that is crossing to the other side when the horse that is pulling it bolts down stream. A third man is about to fall into the water as well as a fourth companion chases the runaway horse and his owner.

  • Title: Taking a fly [graphic].
  • Publication: London : Published by Thos. McLean, 26 Haymarket, [1824?]

Catalog Record

824.00.00.11 Impression 2

Acquired July 2020

Reynard caught at last

description below

In an outdoor setting, Lord North and Edmund Burke look down at Charles Fox who stands knee-deep in a hole in the ground. All are in mourning clothes. Fox expresses fear of remaining in “this terrible Pitt” forever. An angry North, stamping his foot, expresses disillusionment in their coalition, while a quiet Burke decides to disassociate himself from Fox.

  • Title: Reynard caught at last, or, The [fox running away with a goose in its mouth] in a pitt [graphic].
  • Publication: [London] : Publish’d by E. Hedges, No. 92 Cornhill, March 19th 1784.

Catalog Record

784.03.19.01 Impression 3

Acquired July 2021

The Norfolk method of improving the breed

description below

“Thomas Coke of Norfolk leads his bride through a pastoral landscape; he prances gaily along hat in hand, turning to look at her, and singing, Oh the Days when I was Young; in his left hand is a book: Coke upon Littleton [see British Museum Satires No. 14423]. She takes his left arm, holding back the gauze veil that floats from a bonnet trimmed with flowers and towering feathers. Her tight-waisted pelisse has a deep crimson border. She is gravely demure, but sings: Of all the Gay Lads that Dance on the Green, Old Tommys the Lad for Me. He looks younger than 67, she older than 18. Behind them (right) is a country church, before them a signpost pointing To the Breeding Park and To the Nursery. An old ram branded C approaches a sheep; a French greyhound prances towards a decrepit and shaggy dog.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The Norfolk method of improving the breed [graphic].
  • Publication: [London] : Pub. March 26th, 1822, by S.W. Fores, 41 Picadilly [sic], [26 March 1822]

Catalog Record

822.03.26.01+

Acquired May 2021

Contrasted opinions respecting the new emperor

description below

“Two tiers of single English figures expressing appropriate opinions about the coronation of Napoleon.”–British Museum online catalogue.

  • Printmaker: Williams, Charles, active 1797-1830, printmaker.
  • Title: Contrasted opinions respecting the new emperor [graphic].
  • Publication: [London] : Pubd. July 16th, 1804, by S.W. Fores, No. 50 Piccadilly, [16 July 1804]

Catalog Record

804.07.16.03+

Acquired November 2020

A Christmas box

description below

“A front elevation of a theatre-box crammed with delighted children fills the design. In the front row are a lady and four little girls. In the middle sits the father, one small boy on his knee, an arm round another child. Eight more children fill the box. Behind them a lady chooses fruit from an old woman’s basket. Two men stand behind. Over the front of the box hangs a playbill: During the Xmas Holidays–Pantomime of Harliquin–Clown by Mr G [Grimaldi].”–British Museum online catalogue.

  • Printmaker: Cruikshank, George, 1792-1878, printmaker.
  • Title: A Christmas box [graphic] / S.K. invt. ; G. Ck. fect.
  • Publication: [London] : Pubd. Decr. 26th, 1826, by S. Knights, Sweetings [A]lley, Royal Exchange, [26 December 1826]

Catalog Record

826.12.26.01

Acquired November 2020

Morning

description below

An old woman, the prude, is standing near a crowd of people huddled around a bonfire in Covent Garden. She is crossing Covent Garden Piazza, disapproving of the amorous scenes outside the notorious Tom King’s Coffee House. The print shows the morning and is part of a series representing the progress of the day.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Morning [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published August the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 August 1797]

Catalog Record

Hogarth 797.08.01.01++ Box 310

Acquired January 2021

Evening

description below

The third print in the series “Four Times of the Day” is set at Sadler’s Wells. “A dyer and his wife walking with their dog beside the New River; the wife holds a fan with a design of Aphrodite and Adonis, the husband carries a small child, a somewhat older boy stands behind them in tears because his sister is demanding the gingerbread figure he holds; behind them is a young woman holding a shoe and a cow being milked by another woman; to the right is a tavern with the sign of Sir Hugh Middleton’s Head, two women and a man are in the tavern garden, other figures are visible through the window, and a grape vine is climbing up towards the roof.”–British Museum online catalogue.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Evening [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published December the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 December 1797]

Catalog Record

Hogarth 797.12.01.01++ Box 310

Acquired January 2021

Noon

description below

A copy of the second print in William Hogarth’s series “Four Times of the Day”: Set outside St Giles’s-in-the-Fields. On the right an elegant crowd leaves the French Huguenot church; they are dressed in the height of French fashion. Two women kiss on the far right in the customary French way. They are contrasted with Londoners on the left. The two groups are separated by a gutter down the middle of the road; a dead cat lies in the gutter foreground. The Londoners stand outside a tavern with the sign of the Good Woman (one without a head); a woman and man in the second-storey window look surprised as the contents of her bowl are tossed out the window. In the foreground, left, under a sign with John the Baptist’s head on a platter and reading “Good Eating”, a black man embraces a servant girl and a small boy (evidently intended by his curly red hair to be identified as one of the Irish inhabitants of the area) cries because he has broken a pie-dish. A little girl squats as she eats the fallen pie off the ground. The clock in the steeple in the background reads 12:30.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Noon [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Publication: [London] : Published October the 1st, 1797, by G.G. & J. Robinson, Pater-noster Row, London, [1 October 1797]

Catalog Record

Hogarth 797.10.01.03++ Box 310

Acquired January 2021

Night

description below

A copy of the fourth print in William Hogarth’s series “Four Times of the Day”, set at the intersection of Rummer Court and Charing Cross. Le Sueur’s equestrian statue of Charles I can be seen in the background. It is the anniversary of the Restoration of Charles II (29 May, known as “Oak Apple Day”). In the foreground a drunken freemason (probably the corrupt magistrate Sir Thomas De Veil) is supported by a serving man. Behind them a man pours gin into a keg. To the left a barber is seen at work through a window; each pane of the shop window contains a lit candle. From a window above the barber shop, a chamber pot is being emptied onto the top of a wooden shelter under which a man and woman sleep. Beside them, a link boy crouches as he blows on the flame of his torch. Behind and to the right of the freemason, the Salisbury Flying Coach has crashed and overturned while trying to avoid a bonfire in the middle of the street; the passengers reach out the window of the coach, alarmed looks on their faces.Two men look on, one of whom appears to be a butcher. Shop and tavern signs include the barber’s which is decorated with oak leaves and advertises “Shaving Bleeding & Teeth Drawn wth. a Touch Ecce Signum”; the Rummer Tavern; the Earl of Cardigan; and, the Bagnio and the New Bagnio.

  • Printmaker: Cook, Thomas, approximately 1744-1818, printmaker.
  • Title: Night [graphic] / designed by Wm. Hogarth ; engraved by T. Cook.
  • Published: [London] : Published February the 1.st 1798 by G.G. & J. Robinson Pater-noster Row London, [1 February 1798]

Catalog Record

Hogarth 798.02.01.01++ Box 310

Acquired January 2021