Her Majesty Queen Caroline landing at Dover

Queen Caroline walks down a plank balanced between a jolly boat and the shore; she is assisted by her son-in-law Prince Leopald, dressed in black. A cheering crowd stands on the beach, waving their hats in the air, behind an officer who tips his hat at the Queen. Sailors push the boat onto the shingle while a ship called “Prince Leopold” (in reference to her son-in-law) is anchored in the distance.

  • Title: Her Majesty Queen Caroline landing at Dover, on the 5th of June, 1820, after an absence of 5 years, to demand her rights, dignities, & priveleges as Queen of England [graphic] : dedicated to the feelings of the British Nation, by W.B. Walker.
  • Publication: [London] : [W.B. Walker], [not before 5 June 1820]

Catalog Record

820.06.05.01+ Framed

Acquired September 2019

 

The delegates in council

“Naval mutineers, seated and standing at a long table, glare ferociously at Admiral Buckner, who stands (left) calmly, hat in hand, in profile to the right at the foot of the table. The man at the head of the table, seated in a chair which is higher than the others, holds a blunderbuss and wears a hat. He must be Richard Parker, but does not resemble him. At his elbow and on the extreme right stands Thelwall filling a glass from a ‘Grog’ can; he says “Tell him we intend to be Masters, I’ll read him a Lecture”; from his pocket hangs a paper: ‘Thellwals Lecture’ (see British Museum Satires No. 8685). One man only is seated on the president’s left and on the near side of the table. He places a fist on a long paper headed ‘Resolutions’. Under the table in the foreground, lifting up the tablecloth, five secret instigators are (left to right): Lauderdale, holding a paper: ‘Letter from Sheerness to Ld L——le’; Horne Tooke, Stanhope, Grey, Fox, the most prominent, saying, “Aye, Aye, we are at the bottom of it”, and Sheridan. All have satisfied smiles. Four ruffians are seated at the farther side of the table, others stand behind them; one aims a pistol over the admiral’s head, one man smokes, another chews tobacco, taking a quid from his box. Weapons lie on the table. On the wall behind them are a print of Britannia head downwards, and two torn ballads: ‘True Blue an old Song’ and ‘Hearts of Oak are our Ships Jolly Tars are our men We alway are Ready’, the last word scored through. On the right the slanting window of the captain’s cabin is indicated.”–British Museum online catalogue

  • Printmaker: Cruikshank, Isaac, 1756?-1811?, printmaker.
  • Title: The delegates in council, or, Beggars on horseback [graphic] / I. Cruikshank del.
  • Publication: London : Published by S.W. Fores, N. 50 Piccadilly, June 9, 1797.

Catalog Record 

797.06.09.03+

Acquired June 2019

 

The flowing cann

lwlpr33262 (682x1024)

In two columns with the title in a ribbon atop a woodcut below stanza one. Stanzas 2 and 3 below image. A sailor at a seaside tavern (Jack Ocum) dances with a young woman as he holds his tankard. The fiddle music is played by a man who stands beside a woman in the tavern doorway. In the distance on the right is a sailing ship and along the shore, two men in a row boat.

  • Author: Dibdin, Charles, 1745-1814.
  • Uniform Title[Oddities. Song]
  • TitleThe flowing cann.
  • Published[London : Sold by J. Pitts, Great Saint Andrew St. ; Sold by C. Sheppard, Lambert Hill, Doctors Commons, Publish’d Septr. 18th. 1790?]

Catalog Record & Digital Collection

790.09.18.01

Acquired October 2015

 

Painting after life

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First image, ‘Painting after life’ shows a skeleton (death) seated before an easel painting a portrait of the obese old man seated opposite and holding a cane. The subject is seated against a blank screen; a portfolio of other works is leaning against the screen. Beside the ‘artist’ is a box of paints and artist supplies.
Second image, ‘Death staring shipwrecked sailors in the face!!!’, shows a skeleton (right) seated on a rock with his head resting in his hands, elbows on his knees as he stares at two shipwrecked sailors (left) on a beach.

lwlpr32597b (1024x661)

On the verso: an autograph letter from Ebenezer Gerard in Liverpool to Samuel Taylor Liverpool, dated 1826 February 5, in reference to “Prose by a poet” (by Montgomery James) which he compares to his own efforts since his illness, with the address incorporating watercolor and rebus material.

  • Creator :Gerard, E. (Ebenezer).
  • TitlePainting after life [graphic] / E. Gerard pinxt. 19 Parker Street ; Death staring shipwrecked sailors in the face!!! / E. Gerard.

Catalog Record & Digital Collection

826.02.05.01

Acquired July 2015

The balance of justice

“From the opposite ends of a horizontal balance hang (left) a triangle from which are suspended the corpses of thirteen sailors, and (right) the body of a military officer in uniform (Governor Wall); all have bandaged eyes. The balance hangs in front of a stone building, in the centre of which is an open door showing men seated at a council table, a messenger stands in the doorway giving a dispatch box marked ‘GR’ to another messenger, saying, “Deliver this Immediatly He must Die.” The pilastered doorway is inscribed: ‘Justitiae Soror Fides’; above it are kneeling statues of Truth and Justice; between them they support an inscribed tablet: ‘It is determined that British Justice shall never be Stained by Partiality, while the poor & ignorant suffer for their Folly the Rich shall also suffer for their Brutality and Infamy.’ On the wall are two placards: (left) ‘An Account of the Mutiny’, and (right) ‘A Full True and Particular Account of the Trial of . . . For the Murder of. . .’ This is headed by a print of a man being tied to a cannon and flogged, while an officer looks on and soldiers stand at attention.”–British Museum online catalogue.

  • Title: The balance of justice [graphic] : NB in a few days will be published the old gunner lashed to the shrouds.
  • Published: [London: Pud. March 3d 1802 by S.W. Fores, 50 Piccadilly, 3 March 1802]

Catalog Record & Digital Collection

802.03.03.01+

Acquired November 2013

The sailor and the judge

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A judge sits in a chair (left) looking at sailor who stands, hat in hand, before him. He says, “Are you certain, in respect to your being sober at the time the circumstance happened.” The sailor with caricatured features and warts on his face, replies: “Sober. come I like that, may I never again weigh anchor if I would not call him a lubber be he who he would, that would say I was drunk, please your grave and reverend worship. I had only shipp’d in eight grogs and a gill not enough to make a lawyer merry, in short your honor, I’ll be d-nd if I was not as sober as a judge.”

  • Printmaker: Roberts, Piercy, active 1791-1805, printmaker.
  • Title: The sailor and the judge [graphic] / etch’d by Roberts.
  • Published: [London : Pubd. by Roberts, Middle Row, Holborn, between 1800 and 1807?]

Catalog Record & Digital Collection

800.00.00.185+

Acquired November 2013

Impressment orders for … Middlesex …

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A three page summary signed by ‘Butler” of the General Session of His Majesty’s Justices in Middlesex responding to the “speedy supply of Seamen and Seafaring Men to Man his Majesty’s Fleet”.

  • Author: Middlesex (England). Justices of the Peace.
  • Title: Impressment orders for the county of Middlesex, 1771 October 25.

Catalog record

LWL Mss File 103

Acquired November 2012

Jack in his element

Jack in his element.

Published: [London] : Publish’d 17th June 1793 by Robt. Sayer & Co., Fleet Street, London, [1793]

793.06.17.01+ Impression 2

Poll, the widow of William, stands at her cottage door in a village near the sea, a ship in full-sail in the distance, as Jack delivers the sad news of the death of her husband. In the verses engraved below recount the “jovial” life of a sailor to the refrain of “In every mess I finds a friend, in every port a wife.” Five columns of verse below title: Bold Jack the sailor, here I come, pray how d’ye like my nib …

Jack in his element: 1 print on wove paper : mezzotint ; plate mark 35.3 x 25.3 cm., on sheet 37 x 29 cm.Subjects (Library of Congress): Sailors; Dwellings; Servants; Spouses; Satires (Visual works)–England–1793; Genre prints–England–1793; Mezzotints–England–London–1793; Sayer, Robert, 1725-1794, publisher.

Gift of William M. O’Keefe; July 2010.

Lewis Walpole Library new acquisition: July, 2010