Queen Carolines triumph on the defeat

see description belowQueen Caroline is seated in a carriage pulled by two white horses lead by a young page towards the right; she holds a walking-stick in her hand, sceptor-like over her shoulder and wears a fashionable hat and a small smile on her face as she looks out at the viewer. She is accompanied by two men in armor and wearing plummed helmets. The one on the far-side of the carriage holds a sign “The people and the Queens Guards”. Another sign in the background on the right reads “It is better to put your trust in the Lord than confidence in princes.” A crown is shown on the far right.

  • Title: Queen Carolines triumph on the defeat of the Bill of Pains and Penalties, Novr. 10, 1820 [graphic].
  • Publication: [London] : Publish’d by W.B. Walker, 4 Fox & Knot Court, Cow Lane, London, [not before 10 November 1820]

Catalog Record 

820.11.10.01 Framed

Acquired September 2019

The brickdust man

see description below“Portrait of unknown tradesman standing half-length to front, head slightly to right, eyes to front; carrying bag over his right shoulder, staff in his left hand, and wearing cap.”–British Museum online catalogue.

  • Printmaker: Watson, James, 1740-1790, printmaker.
  • Title: The brickdust man [graphic] / Nathl. Hone pinxt. ; Jas. Watson fecit.
  • Publication: [London] : Printed for Henry Parker & Elizth. Bakewell, opposite Birchin Lane in Cornhill, London, [between 1755 and 1790]

Catalog Record 

755.00.00.26+ Impression 3

Acquired June 2019

Her Majesty Queen Caroline landing at Dover

Queen Caroline walks down a plank balanced between a jolly boat and the shore; she is assisted by her son-in-law Prince Leopald, dressed in black. A cheering crowd stands on the beach, waving their hats in the air, behind an officer who tips his hat at the Queen. Sailors push the boat onto the shingle while a ship called “Prince Leopold” (in reference to her son-in-law) is anchored in the distance.

  • Title: Her Majesty Queen Caroline landing at Dover, on the 5th of June, 1820, after an absence of 5 years, to demand her rights, dignities, & priveleges as Queen of England [graphic] : dedicated to the feelings of the British Nation, by W.B. Walker.
  • Publication: [London] : [W.B. Walker], [not before 5 June 1820]

Catalog Record

820.06.05.01+ Framed

Acquired September 2019

 

The lass of Richmond Hill

see description belowA young woman picking apples is watched by a youth who hides behind the tree and bushes on the right, his right hand over his heart; more trees in the background and the edge of a thatched cottage to left and a stream in the distance, right.

  • Title: The lass of Richmond Hill [graphic].
  • Publication: [London] : Published July 20th, 1794, by John Fairburn, map, chart & printseller, No. 146 Minories, London, [20 July 1794]

Catalog Record 

794.07.20.01+

Acquired June 2019

The shepherds holyday

see description below“Rural scene with two couples dancing on the left while a man pipes and plays a drum under a tree on the right, and another couple watch at a table in front of him, smoking and drinking; village in the background.”–British Museum online catalogue.

  • Title: The shepherds holyday [graphic].
  • Publication: [London] : Published Oct. 24th, 1794, by John Fairburn, map, chart & printseller, No. 146 Minories, London, [24 October 1793]

Catalog Record 

793.10.24.03+

Acquired June 2019

John Sheppard

read description belowPortrait of John Sheppard, highwayman and thief, seated three-quarter length in prison cell with hands in chains, head turned to right, towards window; wearing plain coat and necktie, his hair cut short; lettered state with Latin verses.

  • Printmaker: White, George, approximately 1684-1732, printmaker, publisher.
  • Title: John Sheppard [graphic] / J. Thornhill Eques delin. ; G. White fecit.
  • Edition: [State 5].
  • Publication: [London] : Sold by T. Bowles in St. Pauls Church Yard, J. Bowles against Stocks Market, & Geo. White in Hart Street between [the] Church & Bloomsbury Markt, [ca. 1724]

Catalog Record

724.00.00.01+

Acquired June 2019

Edwd. Orme, removed from Conduit Stt.

A trade card issued by Edward Orne announcing a change of address for his printselling, framing and stationery business from Conduit Stree to New Bond Street. The image show a cherub emerging from a break in a thick bank of clouds, as he holds a caducesus. On the right a bearded man in a cap and in a fur trimmed cloak reaches toward the cherub; the man has a snake at his feet. High in the center a bat flies toward the scene.

  • Creator: Orme, Edward, 1775-1848.
  • Title: Edwd. Orme, removed from Conduit Stt. to 59 New Bond Street, corner of Brook Street [graphic].
  • Publication: [London] : [Edwd. Orme], [ca. 1801]

Catalog Record

File 66 801 Ed25

Acquired June 2019

The preservation of Sir Richard MacGwire

The preservation of Sir Richard MacGwire

“A young man being hauled out of the water by men in a fishing boat, one holding onto a pole he clutches, another supported by his companions, as he reaches out over the side of the boat to seize the drowning man’s jacket; with three gentlemen in a boat behind to right and a hot-air balloon sinking in the waves in the background; after Barralet.”–British Museum online catalogue.

 

  • Printmaker: Ward, William, 1766-1826, printmaker.
  • Title: The preservation of Sir Richard MacGwire [graphic] : who fell into the sea (by the descent of a balloon) off the coast of Ireland, on the 12th of May, 1785 / J.J. Barralet ad vivum delint. ; W. Ward sculpt.
  • Publication: [London] ; [Dublin] : Published as the act directs June 4th, 1787, by Thos. Milton, No. 40 Great Queen Street, Lincolns Inn Fields, London, and by J. James Barralet, in Dublin, [4 June 1787]

Catalog Record 

Drawer 787.06.04.02

Acquired June 2019

Les sérails de Londres

title page and 4 volumes

  • Uniform Title: [Nocturnal revels. French]
  • Title: Les sérails de Londres, ou, Les amusemens nocturnes, contenant les scènes qui y sont journellement représentées, les portraits et la description des courtisannes les plus célèbres, et les caractères de ceux qui les fréquentent / traduit de l’Anglais.
  • Publication: A Paris : Chez Barba, Libraire, Palais Egalité, derriére le Théâtre de la République, no. 51, an. IX (1801)

Catalog Record 

646 801 Se522

Acquired November 2018

Lady Elizabeth Laura, Lady Charlotte Maria & Lady Anne Horatia

“Triple three-quarter length portrait of the three Waldegrave sisters, seated beside one another at a small work-table; Lady Anna Horatia at right embroidering, with Lady Charlotte Maria at left, her head turned towards front, winding silk from skein which Lady Elizabeth Laura, centre, is holding; a curtain, pillars and trees behind them; after Reynolds (Mannings 1810); proof before letters, but with scratched production and publication detail.”–British Museum online catalogue.

  • PrintmakerGreen, Valentine, 1739-1813, printmaker, publisher.
  • Title[Lady Elizabeth Laura, Lady Charlotte Maria & Lady Anne Horatia, daughters to James late Earl of Waldegrave Knight of the Garter] [graphic] / painted by Sir Joshua Reynolds ; engraved by V. Green, mezzotinto engraver to His Majesty, and to the Elector Palatine.
  • Edition[State 1].
  • Publication[London] : Published Decr. 1st, 1781, by V. Green, No. 29, Newman Street, Oxford Street, London, [1 December 1781]

Catalog Record 

Folio 49 3636 no. 8++ (Oversize)

Acquired November 2017