Effects of passion

A scene in a sitting room, a man in a fit of anger kicks over a chair and table set with tea; a pitcher, cups and saucers, tongs and other tableware are in flight or shattered on the floor. The man holds his wig in his left hand as a woman looks on with fear. Two cats fight in front of a fireplace above which hangs a seascape with rough waters and lightening. On the back wall another painting shows a man standing over a woman.

  • Title: Effects of passion [graphic].
  • Publication: [Alnwick] : Printed and published by W. Davison, Alnwick, [between 1812 and 1817]

Catalog record 

812.00.00.118

Acquired September 2019

Hospitality kicking avarice out of doors

Hospitality kicking avarice out of doors. Detailed description below.

A caricature of the new Lord Mayor of London: Harvey Combe stands centered in a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (butcher?) holds a knife in one hand and a scroll in the other inscribed with a large order for meat: “12 haundres venison, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef”. In the foreground lies another sheet which reads “Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr.” The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag. The two cats on the left and the dog following the butcher are also thin from malnutrition. Two large spiders have spun large webs below the archway on the left below are two cupids holding a heart molded above the archway.

  • Title: Hospitality kicking avarice out of doors, or, New tenants at a mansion house [graphic].
  • Distribution: [London] : Sold by all the printsellers in London, Novr. 9, 1799.

Catalog Record

799.11.09.02++

Acquired November 2018

Hospitality kicking avarice out of doors

Hospitality kicking avarice out of doors. Detailed description below.

A caricature of the new Lord Mayor of London: Harvey Combe stands centerd in the a hall, surrounded by a desperate looking group of people both rich and poor, who kneel and beg. A skeletal man (buthcher?) holds a knife in one hand and a scroll in the other enscribed with a large order for meat: “12 haundres vension, 6 necks do., 8 turtles, 20 brace partridges, 20 pheasants, 20 brace woodcocks, 16 sirloins beef bacon(?) &””. In the foreground lies another sheet which readss “Tripe Soup. Liver & Crow. Fried Tripe. Bill of Fare for 8 Novr.” The outgoing Lord Mayor, Sir Richard Glyn, who was notoriously spendthrift during his period in office, is seen being kicked out of the Mansion House holding large money bag with the word “Saving” written on it. The two cats on the left and the dog following the butcher are also thin from malnorishment. Two large spiders have spun large webs below the archway on the left below a two cupids holding a heart molded above the archway.

  • Artist: Nixon, John, -1818, artist.
  • Title: Hospitality kicking avarice out of doors, or, New tenants at a mansion house [art original] / J.N. 1799.
  • Production: [England], [1799]

Catalog Record

Drawings N736 no. 8 Box D305

Acquired November 2018

The man wots got the whip hand of ’em all

The man wots got the whip hand of 'em all. Detailed description below

“A hand printing-press of metal (a Stanhope Press), supported on the stout legs of a man in breeches which seem to belong to a John Bull, puts to flight mere pigmy humans: two flee to the right, one propelled by a kick from a huge buckled shoe; two others have fallen. Two levers or handles serve as arms; one has a hand which grasps a giant pen, the feather entwined with three serpents which spit flame at the departing legs and cocked hat of Wellington, who, kicked into the air, disappears behind the upper right margin of the design. Another pair of legs, with the black stockings and buckled shoes of Eldon, project from the upper left margin; beside them a single leg and a broom indicate the departing Brougham. A second lever supports a print, ‘The Man Wot Drives The Sovereign’, copied from British Museum satires no. 15731; a flame issues from the press, threatening to scorch or destroy the print. The press is topped by a cap of Liberty inscribed ‘Free Press’ and encircled with a wreath. A little demon (a printer’s devil) rushes towards the press from the left, holding up a big ink-ball.”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: The man wots got the whip hand of ’em all [graphic].
  • Publication: [London] : Pub. May 30th, 1829, by T. McLean, 26 Haymarket …, [30 May 1829]

Catalog Record 

829.05.30.01+

Acquired October 2018

Peeling a Charley

“Peel kicks a lean old watchman behind, and drags from his shoulders his patched and tattered coat. Just behind him (right) is a big bonfire in which a watch-box and battered lanterns are blazing; beside it lie more lanterns, a rattle, and staves. In the background a watchman hangs by the neck from the branch of a tree, still holding rattle and lantern. Beside the tree is a pond from which projects an arm clutching a rattle. Peel says: ‘”But such a poor, bare-forked animal as thou art–Off–off you lendings: come unbutton here vide Shaks–‘ [“Lear”, III. iv]. The terrified watchman answers: ‘”Nay, take my life and all, pardon not that: You take my house, when you do take the prop That doth sustain my house; you take my life, When you do take the means whereby I live, vide Shaks.’ [“Merchant of Venice”, IV. i].”–British Museum online catalogue.

  • Printmaker: Heath, William, 1795-1840, printmaker.
  • Title: Peeling a Charley [graphic] / William Heath.
  • Publication: [London] : Pub. Sep. 29th, 1829, by T. McLean, 26 Haymarket …, [29 September 1829]

Catalog Record 

829.09.29.01+

Acquired October 2018