View of Brighton, the town with numerous houses and other buildings, St. Nicholas’s Church on the hill above the town to the right, the coast stretching away in the distance, windmills in the fields to the left with haywains drawn by oxen and reapers at their work amongst the crops to the right, elegant ladies and gentlemen strolling through the scene with a man sketching to the left, several boats and ships on the calm sea beyond, gulls amongst the clouds above. The Royal Arms below.
- Printmaker: Canot, Pierre Charles, 1710-1777, printmaker.
- Title: A perspective view of Brighthelmston, and of the sea coast as far as the Isle of Wight [graphic] : Inscribed (by permission) to His Royal Highness William Henry Duke of Gloucester and Edinburgh, Earl of Connaught of the Kingdom of Ireland, Ranger of Hampton Court Park, and Knight of the Most Noble Order of the Garter – by His Royal Highnesses most obedt. & devoted servt. James Lambert / Jas. Lambert pinxt. ; P.C. Canot sculpt.
- Publication: [London] ; [Lewes] : Publish’d as the act directs, & sold by Jas. Lambert, painter, at Lewes in Sussex, and Robert Sayer, map and printseller, No. 53 Fleet Street, London, [approximately 1765]
Drawer 765.00.00.95
Acquired April 2023
Copy in reverse of the first state of Plate 5 of Hogarth’s ‘The Rake’s Progress’ (Paulson 136): Tom and a wealthy old woman are being married in the dilapidated church of St. Marylebone. The bride has only one eye and growths on her forehead; the IHS on the wall behind her serve as a mock halo. In contrast the old woman is attended by a beautiful young woman who has already caught Tom’s eye. In the background on the left, the elderly pew opener pushes Sarah Young, carrying Tom’s child in her arms, and Sarah’s mother; she shakes her keys in their faces to prevent them from entering the church to stop the marriage. Two dogs in the lower left of the image mirror the courtship of Tom and his bride; the courted dog has only one eye. The clergyman is assisted at the altar by a clerk, and a charity-boy kneels at the bride’s feet offering a hassock. The Poor Box on the left is covered with a cobweb; there is a crack down the center of the slab with the Commandments on the wall behind the clergyman.
With illustrations (some in color), aquatints, engravings and wood engraving of a geological map, a tea plant, genealogy table (folded) and many estates, manors, castles and churches in England.
