Conference Schedule

SATURDAY, FEBRUARY 29, 2020 • WHITNEY HUMANITIES CENTER

3:00 – 3:45 pm Registration & Welcome • First Floor Lobby

4:00 – 5:30 pm Keynote Address • Room 208

Dr. James Leo Cahill (University of Toronto) • Animal/Accident/Archive: Three Copernican Explorations 

5:30 – 7:00 pm Dinner Reception • Room 108

7:00 – 9:00 pm Film Screenings • First Floor Auditorium

Opening Remarks by Dr. James Leo Cahill & Dr. Aaron Gerow (Yale University)

Liquid Crystals (dir. Jean Painlevé, 1978)

The Seahorse (dir. Jean Painlevé, 1934)

The Love Life of the Octopus (dir. Jean Painlevé, 1967)

Acera, or the Witches’ Dance (dir. Jean Painlevé, 1972)

On the Road: A Document (dir. Noriaki Tsuchimoto, 1964)  

 

SUNDAY, MARCH 1, 2020 • WHITNEY HUMANITIES CENTER

9:00 – 10:00 am Breakfast • Second Floor Rotunda

10:00 – 11:30 am Bodies & Archives  • Room 208

Julia Irwin (Berkeley) • A Template for the Ergonomic Imaginary

Arnav Adhikari (Brown) • Two Meetings and a Funeral and Archive of Absence 

Eli Boonin-Vail (Pittsburgh) • Porter’s Execution of Czolgosz With Panorama of Auburn Prison 

Respondent: Eugene Kwon (Yale) • PhD Candidate, Film & Media Studies and East Asian L & L

11:30 am – 1:00 pm Ontology • Room 208

Chaorong Hua (Yale) • Accidental Animals: On the Cinema of Contingency

Ahmet Yuce (Georgia State) • Derrida and Contingency in The Killing of a Sacred Deer

Adam Hebert (Pittsburgh) • The Latham Loop, Long Takes, and Contingency

Respondent: Pierre Folliet (Yale) • PhD Candidate, Film & Media Studies and Comparative Literature 

1:00 – 2:00 pm Lunch • Room 108

2:00 – 3:30 pm Early Cinema & Theory • Room 208

Nace Zavrl (Harvard) • Kracauer, Contingency, Computation

Lin Shu-mei (Cornell) • Oral Cinema as Event 

Madison Brown (Northwestern) • Double Exposures & Counterintuitive Forebears of Family Photography

Respondent: Carolyn Jacobs (Yale) • PhD Candidate, Film & Media Studies and American Studies 

3:30 – 5:00 pm Authorship & Reception • Room 208

Andrea Liu (Goldsmiths WAL) • Rosa Menkman’s Contradictory Romanticization of Glitch Art 

Shane Black (UCLA) • American Mercurial: Marvel’s Loki and the Latin Epic Messenger

Suryansu Guha (UCLA) • Accidental Convergences: Netflix

Respondent: Katie Kirkland (Yale) • PhD Candidate, Film & Media Studies and Comparative Literature 

5:15 pm Closing Remarks • Room 208